![]() ![]() Think Robert DeNiro in 1976’s Taxi Driver. Williams’ star power no doubt had a huge say in that success, although we should imagine some cinemagoers didn’t realise what they were letting themselves in for (“Let’s see the latest Robin Williams film! I bet it’s hilarious!”).ĭirector Romanek wrote the screenplay as well, basing the concept on the “lonely men” movies of the 1970s. Off its $12 million budget, One Hour Photo had a solid return of $52.2 million. As such, he’s seen Nina Yorkin (Connie Nielsen), husband Will (Michael Vartan), and their son bonding and functioning as a happy family.Īll by processing their photos, which means he’s on a casual customer-facing friendship level with the Yorkins.īut his obsession grows out of control and he begins fantasising about being part of their family unit, even manipulating circumstances to bump into Nina in another store. This plays out as Parrish becomes overly familiar, and obsessed, with the Yorkin family who frequent the store. Meanwhile, he lives alone and has no friends or relationships (although he desperately craves them).Īs with other great psychological thrillers ( 1990’s Misery, we’re looking at you), the film saps at your confidence and makes you uneasy. He’s convinced himself, seemingly out of loneliness, that his job is a vital service and takes it very seriously. He stars as Seymour “Sy” Parrish, an awkward photo technician at a one-hour photo booth in a supermarket chain. There’s his star power, but also an uncanny performance that draws viewers in. So Williams was clearly eager to show his range as an actor around the turn of the century, which he’d been keen to show off earlier in his career in Awakenings (1990).īut 2002 saw him really go for it in villainous form.Īnd he is One Hour Photo-very much in the way he dominated films such as Dead Poets Society (1988) and Mrs. ![]() He also starred in Christopher Nolan’s Insomnia in 2002, playing a different type of villain. One Hour Photo immediately drew in attention thanks to that riveting Robin Williams performance, reminding us how effective he could be as a villain. Directed by Mark Romanek (most famous for his music videos with Taylor Swift and Madonna), the film premiered at the 2002 Sundance Film Festival. ![]()
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